A practical method for turning an artist's backline rider into an approved equipment plan, covering specification review, hidden requirements, inventory checks, substitutions, stage plots, input lists, preparation and QC.
Understand the difference between backline and sound equipment, where the two systems meet, what each usually includes and how production responsibilities should be divided.
Learn what backline means in live production, what equipment it includes, how it differs from PA and sound, and how riders, substitutions, festivals and touring affect backline planning.